![]() ![]() ![]() A drama based on the life of 18th century. With Tobias Moretti, Eullia Ramon, Sergi Roca, Anna Saura Ramn. This is the case in the finale, where we find a succession of dissonant disjunct intervals at the opening of the development which, on closer inspection, present us with the full chromatic scale (except for G natural, the symphony’s tonic). Io, Don Giovanni: Directed by Carlos Saura. When you start with the right tempo, it’s amazing how the whole discourse comes together perfectly, in a very logical and simple manner’, says Staier, who plays a magnificent instrument by Christoph Kern after a 1790 fortepiano by Anton Walter, the great maker of Mozart’s time.Īlso on the programme is the Symphony no.40, in which, says Julien Chauvin, ‘Mozart explores types of writing that he pushes to their most extreme limits. Performers often tend to take it too slowly, certainly thinking that this will accentuate the tragic side, but Julien Chauvin and I spontaneously agreed on a slightly faster tempo, which respects the basic pulse of this movement in siciliana rhythm. 527 (Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte.A work based on the legends of Don Juan, fictional libertine and seducer, it was premiered in 1787. Staier presents us with his vision of the Piano Concerto no.23 and its famous Adagio, ‘one of the most heart-rending slow movements ever written by Mozart. ![]()
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